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Music Listening, Music Therapy, Phenomenology and Neuroscience. The thesis examines music listening, music phenomenology, and music therapy-related neuroscience. There are excerpts from a previous publication, The Musical Timespace. Music phenomenology: The author proposes criteria for phenomenological investigation and compares the approaches of three prominent music phenomenologists. Thomas Clifton establishes the groundwork for music’s phenomenological exploration of time and space. Lawrence Ferrara devises a method for phenomenological description that is both practical and effective. Don Ihde pioneers new approaches to the phenomenological investigation of sound. Music therapy research makes use of variants of Lawrence Ferrara’s method in order to allow for phenomenological descriptions of music and music therapy sessions. Don Ihde’s philosophy serves as a foundation for the development of experimental listening, a novel method for investigating the phenomenology of music. Music and neurosciences: The outcome of four international conferences on neurosciences and music is discussed and validated through an examination of research procedures and results, as well as the presentation of noteworthy studies. Due to recent developments in auditory science, portions of The Musical Timespace have been omitted, resulting in a more condensed version of the book. The condensed version represents an examination of the musical space experienced by the listener and the listening dimensions inherent in music. Intensity, timbre, pitch, movement, and pulse are considered the fundamental listening dimensions in music. Moments in the Present – A new GIM program: A collaborative research project resulted in the development of a new program for Guided Imagery and Music Therapy based on music by Bartok, Corigliano, Messiaen, Tavener, Pärt, and Tormis from the twentieth and twenty-first centuries. Music processing in the subcortical and cortical areas of the brain: Descriptions of the auditory system in relation to general brain functions shed light on the neural basis for music listening. The authors describe a novel neuroimaging experiment in which they document the brain’s responses to an entire piece of music. Embodiment: This article discusses embodiment research conducted in a variety of philosophical and scientific disciplines, including the study of forms of vitality and the effects of neurotransmitters in the brain and body. A review of the efforts to establish neurophenomenology as a new research paradigm reveals that the integration of phenomenology’s first-person perspective and neuroscience’s third-person perspective remains an unfinished project.